themselves. It sounded the knell of all hope of redress of their wrongs.
He beheld a slight young man with a pock-marked face, redeemed from utter ugliness by a pair of magnificent eyes, leap to a table outside the Café de Foy, a drawn sword in his hand, crying, "To arms!" And then upon the silence of astonishment that cry imposed, this young man poured a flood of inflammatory eloquence, delivered in a voice marred at moments by a stutter. He told the people that the Germans on the Champ de Mars would enter Paris that night to butcher the inhabitants. "Let us mount a cockade!" he cried, and tore a leaf from a tree to serve his purpose—the green cockade of hope.
Enthusiasm swept the crowd, a motley crowd made up of men and women of every class, from vagabond to nobleman, from harlot to lady of fashion. Trees were despoiled of their leaves, and the green cockade was flaunted from almost every head.
"You are caught between two fires," the incendiary's stuttering voice raved on. "Between the Germans on the Champ de Mars and the Swiss in the Bastille. To arms, then! To arms!"
Excitement boiled up and over. From a neighbouring waxworks show came the bust of Necker, and presently a bust of that comedian the Duke of Orléans, who had a party and who was as ready as any other of the budding opportunists of those days to take advantage of the moment for his own aggrandizement. The bust of Necker was draped with crêpe.
André-Louis looked on, and grew afraid. Marat's pamphlet had impressed him. It had expressed what himself he had expressed more than half a year ago to the mob at Rennes. This crowd, he felt must be restrained. That hot-headed, irresponsible stutterer would have the town in a blaze by night unless something were done. The young man, a causeless advocate of the Palais named Camille Desmoulins, later to become famous, leapt down from his
