XIV
PRISONERS OF STATE AT BORO BOEDOR
HE fact is not generally appreciated that there are ruins of Buddhist and Brahmanic temples in Middle Java surpassing in extent and magnificence anything to be seen in Egypt or India. There, in the heart of the steaming tropics, in that summer land of the world below the equator, on an island where volcanoes cluster more thickly and vegetation is richer than in any other region of the globe, where earthquakes continually rock and shatter, and where deluges descend during the rainy half of the year, remains nearly intact the temple of Boro Boeder, covering almost the same area as the Great Pyramid of Gizeh. It is ornamented with hundreds of life-size statues and miles of bas-reliefs presenting the highest examples of Greco-Buddhist art—a sculptured record of all the arts and industries, the culture and civilization, of the golden age of Java, of the life of the seventh, eighth, and ninth centuries in all the farther East—a record that is not written in hieroglyphs, but in plainest pictures carved by sculptor's chisel. That solid pyramidal
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