the lowest level of the structure. M. Désiré de Charnay, who spent an afternoon at Boro Boedor in 1878 in studying the resemblance of the pyramid temples of Java to those of Central America, believed this well-hole to be the place of concealment for the priest whose voice used to issue as a mysterious oracle from the statue itself.
A staircase has been constructed to the summit of this dagoba, and from it one looks down upon the whole structure as on a ground-plan drawing, and out over finely cultivated fields and thick palm-groves to the matchless peaks and the nearer hills that inclose this fertile valley of the Boro Boedor—"the very finest view I ever saw," wrote Marianne North.
Three fourths of the terrace chapels and the upper dagobas have crumbled; hundreds of statues are headless, armless, overturned, missing; tees, or finials, are gone from the bell-roofs; terrace walls bulge, lean outward, and have fallen in long stretches; and the circular platforms and the processional paths undulate as if earthquake-waves were at the moment rocking the mass. No cement was used to hold the fitted stones together, and another Hindu peculiarity of construction is the entire absence of a column, a pillar, or an arch. Vegetation wrought great ruin during its buried centuries, but earthquakes and tropical rains are working now a slow but surer ruin that will leave little of Boro Boedor for the next century's wonder-seekers, unless the walls are soon straightened and strongly braced.
All this ruined splendor and wrecked magnificence soon has an overpowering effect on one. He almost hesitates to attempt studying out all the details, the
