people to make offerings to the recha, the unknown, mysterious gods of the past.
Chandi Mendoet, two miles the other side of Boro Boeder, is an exquisite pyramidal temple in a green quadrangle of the forest, with a walled foss and bridges. Long lost and hidden in the jungle, it was accidentally discovered by the Dutch resident Hartman in 1835, and a space cleared about it. The natives had never known of or suspected its existence, but the investigators determined that this gem of Hindu art was erected between 750 and 800 a. d. The workmanship proves a continued progress in the arts employed at Boro Boedor, and the sculptures show that the popular faith was then passing through Jainism back to Brahmanism. The body of the temple is forty-five feet square as it stands on its walled platform, and rises to a height of seventy feet. A terrace, or raised processional path, around the temple walls is faced with bas-reliefs and ornamental stones, and great bas-reliefs decorate the upper walls. The square interior chapel is entered through a stepped arch or door, and the finest of the Mendoet bas-reliefs, commonly spoken of as the "Tree of Knowledge," is in this entrance-way. There Buddha sits beneath the bo-tree, the trunk of which supports a pajong, or state umbrella, teaching those who approach him and kneel with offerings and incense. These figures, as well as the angels overhead, the birds in the trees, and the lambs on their rocky shelf, listening to the great teacher, are worked out with a grace and skill beyond compare. Three colossal images are seated in the chapel, all with Buddha's attributes, and Brahmanic cords as well, and
