The pity of all this ruined splendor moves one strongly, and one deplores the impossibility of reconstructing, even on paper, the whole magnificent place of worship. The wealth of ornament makes all other temple buildings seem plain and featureless, and one set of bas-reliefs just rescued and set up in line, depicting scenes from the Ramayan, would be treasure enough for an art museum. On this long series of carved stones disconsolate Rama is shown searching everywhere for Sita, his stolen wife, until the king of the monkeys, espousing his cause, leads him to success. The story is wonderfully told in stone, the chisel as eloquent as the pen, and everywhere one reads as plainly the sacred tales and ancient records. The graceful figures and their draperies tell of Greek influences acting upon those northern Hindus who brought the religion to the island; and the beautifully conventionalized trees and fruits and flowers, the mythical animals and gaping monsters along the staircases, the masks, arabesques, bands, scrolls, ornamental keystones, and all the elaborate symbols and attributes of deities lavished on this group of temples, constitute a whole gallery of Hindu art, and a complete grammar of its ornament.
These temples, it is believed, were erected at the beginning of the ninth century, and fixed dates in the eleventh century are also claimed; but at least they were built soon after the completion of Boro Boeder, when the people were turning back to Brahmanism, and Hindu arts had reached their richest development at this great capital of Mendang Kumulan, since called Brambanam. The fame of the Javanese empire had
