dently wilt at the line, and no formalities pass the equator, when distinguished citizens and officials can roam and lounge about hotel courts in pajamas and bath slippers, and bare-ankled women, clad only in the native sarong, or skirt, and a white dressing-jacket, go unconcernedly about their affairs in streets and public places until afternoon. It is a dishabille beyond all burlesque pantomime, and only shipwreck on a desert island would seem sufficient excuse for women being seen in such an ungraceful, unbecoming attire—an undress that reveals every defect while concealing beauty, that no loveliness can overcome, and that has neither color nor grace nor picturesqueness to recommend it.
The hotel is a series of one-storied buildings surrounding the four sides of a garden court, the projecting eaves giving a continuous covered gallery that is the general corridor. The bedrooms open directly upon this broad gallery, and the space in front of each room, furnished with lounging-chairs, table, and reading-lamp, is the sitting-room of each occupant by day. There is never any jealous hiding behind curtains or screens. The whole hotel register is in evidence, sitting or spread in reclining-chairs. Men in pajamas thrust their bare feet out bravely, puffing clouds of rank Sumatra tobacco smoke as they stared at the new arrivals; women rocked and stared as if we were the unusual spectacle, and not they; and children sprawled on the cement flooring, in only the most intimate undergarments of civilized children. One turned his eyes from one undressed family group only to encounter some more surprising dishabille; and meanwhile servants were hanging whole mildewed wardrobes on
