dye. This resist, or mordant, must be applied for each color, and the wax afterwards steamed out in hot water, so that a sarong goes through many processes and handlings, and is often the work of weeks. The dyes are applied hot through a little tin funnel of an implement tapering down to a thin point, which is used like a painter's brush, but will give the fine line- and dot-work of a pen-and-ink drawing. The sarong's value depends upon the fineness of the drawing, the elaborateness of the design, and the number of colors employed; and beginning as low as one dollar, these brilliant cottons, or hand-painted calico sarongs, increase in price to even twenty or thirty dollars. The Dutch ladies vie with one another in their sarongs as much as native women, and their dishabille dress of the early hours has not always economy to recommend it. The battek also appears in the slandang, or long shoulder-scarf, which used to match the sarong and complete the native costume when passed under the arms and crossed at the back, thus covering the body from the armpits to the waist. It is still worn knotted over the mother's shoulder as a sling or hammock for a child; but Dutch fashion has imposed the same narrow, tight-sleeved kabaia, the baju, or jacket, that Dutch women wear with the sarong. The kam kapala, a square handkerchief tied around men's heads as a variant of the turban, is of the same figured battek, and, with the slandang, often exhibits charming color combinations and intricate Persian designs. When one conquers his prejudices and associated ideas enough to pay seemingly fancy prices for these examples of free-hand calico printing, the taste grows, and he soon shares
