PAGE
Coleridge—Cuvier—Dalton's industry—Examples of improvement of time—Daguesseau and Bentham—Melancthon and Baxter—Writing down observations-Great note-makers—Dr. Pye Smith—John Hunter: his patient study of little things—His great labours—Ambrose Paré, the French surgeon—Harvey—Jenner—Sir Charles Bell—Dr. Marshall Hall—Sir William Herschel—William Smith, the geologist: his discoveries, his geological map—Hugh Miller his observant faculties—John Brown and Robert Dick, geologists—Sir Roderick Murchison: his industry and attainments
139
Workers in Art
Sir Joshua Reynolds on the power of industry in art—Humble origin of eminent artists—Acquisition of wealth not the ruling motive with artists—Michael Angelo on riches—Patient labours of Michael Angelo and Titian—West's early success a disadvantage—Richard Wilson and Zuccarelli—Sir Joshua Reynolds, Blake, Bird, Gainsborough, and Hogarth, as boy artists—Hogarth a keen observer—Banks and Mulready—Claude Lorraine and Turner: their indefatigable industry—Perrier and Jacques Callot and their visits to Rome—Callot and the gipsies—Benvenuto Cellini, goldsmith and musician: his ambition to excel—Casting of his statue of Perseus—Nicolas Poussin, a sedulous student and worker—Duquesnoi—Poussin's fame—Ary Scheffer: his hindrances and success—John Flaxman: his genius and perseverance—His brave wife—Their visit to Rome Francis Chantrey: his industry and energy—David Wilkie and William Etty, unflagging workers—Privations endured by artists—Martin—Pugin—George Kemp, architect of the Scott monument—John Gibson, Robert Thorburn, Noel Paton—James Sharples, the blacksmith artist: his autobiography—Industry of musicians—Handel, Haydn, Beethoven, Bach, Meyerbeer—Dr. Arne—William Jackson, the self-taught composer
182