She had also a high pasteboard bridal-crown, the points of which were covered partly with gilt paper and partly with pink-and-green taffeta. There were wreaths of artificial roses and yards on yards of green satin ribbon sewn with flowers of pink satin. In the same drawer there were Jenny-Lind-ringlets, to be fastened on so as to fall against the face, hair pins with dangle-buttons, long ear-pendants of imitation pearls, an assortment of brass brooches, bracelets, and shoe buckles set with glass rubies, amethysts, and sapphires.
In the days when these things were in vogue it was a responsible and laborious task to deck a bride. For days before the wedding the bride dresser had to sit sewing flowered satin bands round the skirt and sleeves of the wedding dress. Sometimes the crown had to have fresh gilt paper and there were paper flowers to be made, and all the brass things had to be polished till they shone like gold.
Though all the gewgaws were shoddy stuff, a peasant-bride with a high crown and a broad flower wreath on her head, with strand on strand of multi-colored beads hanging down from her neck, with flowered satin sash round her waist, with a band of gay ribbon bordering her skirt, with bangled wrists and buckled shoes, must have been the most dazzling sight one could behold.
And it was also the most becoming array for a tall, bright-eyed, rosy-cheeked peasant lass, whose figure had been developed by hard toil and whose skin was tanned by sun and wind. Thus arrayed, she carried
