men now escort the ladies back to the house and up the perilous attic stairs. The loft has been converted into a theatre, its small stage screened off with white draperies. The theatre is the work of Fru Lagerlöf, and is the cutest little place imaginable.
A moment's suspense, and the curtain goes up on a musical allegory written in the forenoon of that very day by Oriel Afzelius. It is entitled, "The Monk and the Dancer." The action takes place on the day of Lieutenant Lagerlöf's birth, August 17, 1819. Beside the cradle of the new-born babe, instead of the usual fairies, stand two symbolical figures, a monk and a dancer.
The Dancer would have the boy grow up a merry, dashing cavalier. The Monk, on the contrary, would make of him a serious ascetic. After a spirited controversy, they finally come to an agreement. Each shall direct one half of the little Mårbacka child's span of life. So for a time he is destined to lead the jolly life of a young officer; in his later years he is to settle down quietly, and practise abstinence and good deeds, with Mårbacka as cloister. Oriel Afzelius as the Monk and Kristofer Wallroth in draperies and veils as the Dancer, sing solos and duets from the popular operas. They gesticulate and declaim with emotional fervour, and wind up their quarrel with a lively pas-de-deux.
As the curtain falls there is wild applause. People shout, stamp their feet, and wave their handkerchiefs. Fru Lagerlöf sits in fear and trembling lest the floor
