preparation, and of preaching at random, saying whatever occurred to them, without any order or arrangement. However, young preachers should take care to develop their sermons, not in the florid style of elaborate expression, lofty thoughts, and sounding periods. Read the golden treatise on popular eloquence by the celebrated scholar, Louis Muratori; in which he proves that all sermons addressed to an audience composed of learned and unlearned, ought to be not only familiar, but also popular; composed in an easy and simple style, such as the people are in the habit of using; avoiding, however, all low and vulgar expressions, which are not suited to the dignity of the pulpit "The people," says Muratori, "are composed for the most part of the ignorant; if you address to them abstruse doctrines and reflections, and use words and phrases that are not adapted to ordinary comprehensions, what fruit do you hope for from persons who do not understand you? Wherefore, the practice of those preachers will never be conformable to the rules of the art, or the principles of genuine eloquence, who, instead of accommodating themselves to the limited capacity of so many of their hearers, appear to study to make themselves intelligible to the learned only; as if they were ashamed to make themselves understood by the poor, who have as good a right to the word of God as the learned. Nay more, a Christian preacher is bound to each one of his auditory in particular, as if there were no other who heard him. He who employs lofty reasoning, and is not careful to make himself understood by all, betrays the cause of God and his own duty, and disregards the spiritual necessities of a great portion of his audience." Hence the Council of Trent prescribes
