Singing as they go, the young people of both sexes, accompanied by the linyakas, proceed beyond the town to the appointed spot, where the boys are put through a drill in manly exercises, and the girls are formally initiated into domestic duties, such as carrying wood and fetching water; throughout their performances they keep up their monotonous chant; and as their figures are all white by the application of chalk, nothing can be imagined much more grotesque than the appearance they present as they go through their series of gymnastics.
The boys are next marched off in detachments to the kotla, where they have all to be beaten with rods. Bare of all clothing, except their little girdle and their sandals, which they are permitted to hold in their hands, they are placed in two rows, back to back, and made to kneel down whilst a man, generally their next-of-kin, stands in front of each and proceeds to deliver his lashes, which the lads parry as best they can by the dexterous manipulation of the sandals; they are required to keep on singing, and to raise each foot alternately, marking the measure of the chant.
All the youths who submit to the boguera at one time are formed into a company, and the more sons a Bechuana can bring to the ceremony, the prouder he is. A chief will generally try to introduce a son of his own or of a near relative to take command of the troop, and an esprit de corps is frequently excited which sometimes has a beneficial effect upon the quarrels that arise at court. The friendship thus formed
