5. The Reprise (r) is commonly found before the branle (b), and sometimes before the double (d) [see the Memoires]. In it you have to cultivate a certain movement of the knees, or feet, or *les artoils seullement,' as if your feet were shaking under you. 1st bar, 'les artoils' of the right foot; 2nd bar, do.; 3rd bar, of the left foot; 4th, of the right foot again.
The Memoire of the movements of the basse dance—i.e., its first Part, is—
R b ss d r | d r b ss ddd r d r b | ss d r b C.
The C means the 'congé,' or 'leave' which you must take of the Damoiselle, salute her, and keep hold of her hand, and lead her back to where you began, in order to dance the Second Part—namely, the Retour de la basse dance, the Memoire for which is—
b | d r b ss ddd r d r b | C.
[The nine movements enclosed between the upright lines, are the same in both parts].
Capriol now remarks that he has been counting up, and finds that the music of the basse dance proper (part 1) has 20 'fours' (vingt quaternions), and the retour (part 2) has 12 'fours.'
Arbeau then describes the Tordion, which is Part 3 of the basse dance. He says it is still in triple time, but 'plus legiere et concitée,' and does not
