viols, and voices'; after Act IV., 'a base lute and a treble viol'; and in the course of Act V., 'infernall music plays softly.' Fiddles, flutes, and hautboys are mentioned by other dramatists as instruments in use at the theatre at this time.
Rimbault's Introduction to Purcell's opera 'Bonduca' gives the names of twenty-six Masques and Plays produced between 1586 and 1642 (when the theatres were closed), all of which contained important music. Amongst them are Jane Shore, by Henry Lacy, 1586, with music by William Byrd; seven masques by Ben Jonson, dating 1600–1621, four of which had music by Ferrabosco; a masque by Beaumont (1612) with music by Coperario; a play Valentinian, by Beaumont and Fletcher (1617) set by Robt. Johnson; The Triumphs of Peace by Shirley (1633), with music by William Lawes and Simon Ives; several other masques, set by Henry Lawes, who did the music to Milton's Comus (1634), etc. The list also includes Shakespeare's Tempest, with Robt. Johnson's music, two numbers of which, viz., 'Full fathom five,' and 'Where the bee sucks,' are printed in Bridge's Shakespeare's Songs, with date 1612.
Retreat, or A Retreat sounded, generally with Alarum, or Excursions, or with both.
