186
APPENDIX
Here is a Division for the Viol, such as the player would produce extempore, with the above Ground before him.
Division No. 1.
![\new Staff \with { instrumentName = \markup { \column { "Viol-da-" "Gamba" } } }
\relative g { \clef bass \time 2/2
\override Score.BarNumber #'break-visibility = #'#(#f #f #f)
g8 a b g fis d' a c | b g' d c d b a g |
fis a d4 e,8 d' cis4 | d d, d'2 |
c,8 e' c d e e, fis16[ g a fis] |
g8 d' b c d b, c16[ d e c] | d8 a' fis b a c, d d, | g1 \bar "||"
}](http://upload.wikimedia.org/score/1/l/1l5pbxtpmhmr08x0kjpq2izewagu4hf/1l5pbxtp.png)
Division No. 3 (more elaborate).
![\new Staff \relative g, { \key g \major \clef bass \time 2/2 \override Score.TimeSignature #'stencil = ##f
\override Score.BarNumber #'break-visibility = #'#(#f #f #f)
g8[ d''16 c] b8 fis,16 e d8[ a''16 g] fis8 e16 fis | \clef treble
g8[ d''16 c] b8 a16 b g8[ d16 c] b8 a16 g | \clef bass
fis8[ a'16 g] fis8 g,16 fis e8[ g'16 fis] e8 fis,16 e |
d8[ fis'16 e] d8 a16 g fis8[ d16 e] fis g a b | \clef treble
c8[ g'16 e] g8 f16 g e8 \clef bass e,16[ g] fis g a fis |
g8[ d'16 b] d8 c16 d b8 a,16[ b] c d e c |
d8[ d'16 a] b8 g16 b a8[ d,16 g] fis8 d16 fis |
g8[ g,16 e'] d c b a <g d' g>2 \bar "||"
}](http://upload.wikimedia.org/score/n/0/n007oe6jm2bvpvmdu8ra0frefm1vmlw/n007oe6j.png)
3. Example of Sol-Fa, 16th and 17th centuries, see p. 35. Lear 1/2, 187.
etc.
The augmented fourths formed by the notes fa and mi, marked with ×, are the mi contra fa, which diabolus est, or 'is the divider,' see p. 36.
