|
Or like a cunning instrument cas'd up, |
The violin family had only a precarious footing amongst musicians up to 1650. After that time, the viols declined in favour, and so rapidly, that at the very beginning of the 18th century, Dr Tudway of Cambridge describes a chest of viols, in a letter to his son, with such particularity, that it is clear they had entirely fallen out of use by 1700. As the viol fell out of fashion, the violin took its place, and has kept it ever since.
The violin family had come into general and fashionable use under the patronage of the Court of Louis XIV., and thus the English nation, true to their ancient habit of buying their 'doublet in Italy, round hose in France, bonnet in Germany, and behaviour everywhere,' took up the 'French fiddles,' and let their national Chest of viols go to the wall.
This growing tendency to adopt French customs, even in music, is referred to in the following:—
Hen. VIII. 13, 41. French manners in England.
| Lovell. | A French song, and a fiddle, has no fellow. |
| Sands. | The devil fiddle 'em! I am glad they're going, For, sure, there's no converting of 'em: now, |
