romance, "In the Days of the Comet," which, although it possesses in the fullest measure Mr. Wells' well known charm of style, is in substance at best a very feeble echo of "News from Nowhere." One of the modes of thought specially characteristic of eighteenth century French dolls is strongly to the fore in Mr. Wells' treatment of war. In the conversations "after the Change" between Melmount, the famous Cabinet Minister, and the pitiful, cowardly, inefficient hero (?), Leadford, they both appear to be inexpressibly shocked at the unreasonableness of war. It is true it is somewhat difficult to tell just what Melmount did think or feel, for Melmount is in one particular like Boston's distinguished litterateur, Mr. Lawson,—he appears to be constantly on the point of uttering some great thought, but never utters it. But so far as light is given us Melmount after the Change seems to have looked on war much as Carlyle did long before. Every one remembers Carlyle's two groups of peasants,[1] living hundreds of miles apart, who never heard of each other,
