ter. This is the young Neoptolemus (better known to us, perhaps, by his surname of Pyrrhus—"the Red"), son of the dead Achilles. The poet's reasons for thus associating him with Ulysses (for here the dramatist takes original ground of his own) are sufficiently clear. The young chief was wholly guiltless of any complicity in the injury done to the hero by the older Greeks in deserting him; for he was then a boy in Phthiotis, far from the scene of action. Neoptolemus, too, has a special interest in procuring the charmed weapons, for it is to him the Fates point as the hero who is to win the town of Troy.
The two voyagers have landed, and they commence the dialogue of the piece. Ulysses knows the localities well. The cave with double entrance, with the fountain close at hand—it was here that, so many years ago, they had left their wretched comrade asleep. He bids Neoptolemus advance along the rocks and explore the neighbourhood, and look cautiously into the cavern, to ascertain whether he whom they seek lies within. He keeps himself in the background, for to be discovered by Philoctetes would be ruin to his plan. The younger chief easily finds the place—the bed of leaves, the wooden drinking-vessel, the few rags for dressing the wounded foot—such is the poor wealth of the occupant; but he is not within. Ulysses, then, after setting one of the crew to watch, discloses to his young companion—very conveniently for the audience—the plan which he wishes him to pursue in order to get Philoctetes and his arrows on board their vessel. If the too prosaic and curious reader should remark that this
