character in the succeeding play, refrains from casting either scorn or reproach on the fallen greatness of the king; and Œdipus, grateful for this kindness, makes his last request. Let them bury her who lies dead within the palace as becomes a king's daughter; for himself—he prays he may be allowed a "lodge in some vast wilderness," far removed from the scenes of his misery: his sons can take good care of themselves; but let pity be shown to his two daughters, who are left desolate, and to whom he wishes to bid farewell.
Creon had anticipated this wish, and Antigone and Ismene now enter. Œdipus is touched by this fresh kindness, and shows it:—
"A blessing on thee! May the Powers on high
Guard thy path better than they guarded mine!"—(P.)
Then, embracing his children, he mournfully dwells upon the dreary life that must await them, uncheered either by a parent's love or by a husband's affection; for the shame of their birth must mar all possible happiness. It lies in Creon's power to act a noble part, and prove himself a father to these fatherless children. Then the Chorus, turning to the spectators, bid them learn a lesson from the tale of Œdipus, who more than any other prince had
"Trod the paths of greatness,
And sounded all the depths and shoals of honour."
Let them mark how the favourite of fortune, the spoiled child of destiny, had fallen miserably from his high estate:—
