Page:Spider Boy (1928).pdf/208

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like you that's new to the business, you're sure to be chock-full of novel ideas. Some of 'em should be practical. Well, the bright boys'll know. Picture stories ain't written, they're rewritten. You'd be surprised at what goes on with a story here before it reaches me. And when I get it, Griesheimer added significantly, I write it all over again.

I'm not reflecting on your abilities, Deacon. I know you know how to write a play, but a moving picture ain't a play. It's as different as night from noon. After you've done a picture you should understand the game better.

The great man, seemingly unaware that Ambrose had not spoken during this address, pressed a button which summoned his secretary.

Take Mr. Deacon down to Phil Lawrence, he commanded. Phil's expecting him. Then: Good-bye, Deacon, and good luck. I should see you in a few days.

Ambrose, behaving very much like an excellent sheep with an overworked heart, followed the secretary down the corridor and out into the open. The sight that met his eyes was entirely novel to him: two huge buildings of galvanized iron, marked Stage No. 8 and Stage No. 4, loomed up before him. Through the opening between the two he could see the façade