digious quantity of theory to our halfpenny worth of police novel; and withal not a shadow of an answer to your question.
Well, some of us like theory. After so long a piece of practice, these may be indulged for a few pages. And the answer is at hand. It was plainly desirable, from every point of view of convenience and contrast, that our hero and narrator should partly stand aside from those with whom he mingles, and be but a pressed-man in the dollar hunt. Thus it was that Loudon Dodd became a student of the plastic arts, and that our globe-trotting story came to visit Paris and look in at Barbizon. And thus it is, dear Low, that your name appears in the address of this epilogue.
For sure, if any person can here appreciate and read between the lines, it must be you—and one other, our friend. All the dominos will be transparent to your better knowledge; the statuary contract will be to you a piece of ancient history; and you will not have now heard for the first time of the dangers of Roussillon. Dead leaves from the Bas Breau, echoes from Lavenue's and the Rue Racine, memories of a common past, let these be your bookmarkers as you read. And if you care for naught else in the story, be a little pleased to breathe once more for a moment the airs of our youth.
THE END.
Printed by Cassell & Company, Limited, La belle Sauvage, London, E.C.
