would have ended to the question how it originated and grew in the writer's mind. The character of the hero, Weir of Hermiston, is avowedly suggested by the historical personality of Robert Macqueen, Lord Braxfield. This famous judge has been for generations the subject of a hundred Edinburgh tales and anecdotes. Readers of Stevenson's essay on the Raeburn exhibition, in Virginibus Puerisque, will remember how he is fascinated by Raeburn's portrait of Braxfield, even as Lockhart had been fascinated by a different portrait of the same worthy sixty years before (see Peter's Letters to His Kinsfolk); nor did his interest in the character diminish in later life.
Again, the case of a judge involved by the exigencies of his office in a strong conflict between public duty and private interest or affection, was one which had always attracted and exercised Stevenson's imagination. In the days when he and Mr. Henley were collaborating with a view to the stage, Mr. Henley once proposed a plot founded on the story of Mr. Justice Harbottle in Sheridan Le Fanu's In a Glass Darkly, in which the wicked judge goes headlong per fas et nefas to his object of getting the husband of his mistress hanged. Some time later Stevenson and his wife together wrote a
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