sleet were beating against the window-panes, the invalid began of his own accord to speak about Ellen.
"We now correspond regularly," he said.
"She tells me in her last letter that she hopes soon to see me. Do you know, Hermann, that she is becoming an enigma for me? It is very evident that she does not treat me like other people, and I often wonder and ask myself what I am in her eyes? What does she feel towards me? Love? That is inadmissible. Pity, perhaps? This then, is the end of my grand dreams to be an object of pity? I have just answered her letter to say that I am settled here with the fixed intention of ending my useless existence in quiet and idleness. Do you remember a scene in Henry Heine's 'Reisebilder,' when a young student kisses a pretty girl, who lets him have his own way and makes no great resistance, because he has told her, 'I will be gone tomorrow at dawn, and I will never see you again'? The certainty of never seeing a person again gives a man the courage to say things that otherwise he would have kept hidden in the most secret depths of his being. I feel that my life is drawing to a close. Do not say no, my dear friend; my presentiments are certain. I have written it to Ellen. I have told her other things besides. What folly! All I have ever done has been folly or chimera. I end my life logically,
