v.
THE POETRY OF MICHELANGELO.
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image over the later and feebler Petrarchists. He learns from Dante rather than from Plato, that for lovers, the surfeiting of desire—ove gran desir gran copia affrena, is a state less happy than misery full of hope—una miseria di speranza piena. He recalls him in the repetition of the words gentile and cortesia, in the personification of Amor, in the tendency to dwell minutely on the physical effects of the presence of a beloved object on the pulses and the heart. Above all he resembles Dante in the warmth and intensity of his political utterances, for the lady of one of his noblest sonnets was from the first understood to be the city of Florence; and he avers that all must be asleep in heaven if she who was created
