random, turning a fine crystal here and there, in a matter it does not wholly search through and transform, we trace the action of his unique incommunicable faculty, that strange mystical sense of a life in natural things, and of man's life as a part of nature, drawing strength and colour and character from local influences, from the hills and streams and natural sights and sounds. Well! that is the virtue, the active principle in Wordsworth's poetry; and then the function of the critic of Wordsworth is to trace that active principle, to disengage it, to mark the degree in which it penetrates his verse.
The subjects of the following studies are taken from the history of the Renaissance, and touch what I think the chief points in that complex, many-sided movement. I have explained in the first of them what I understand by the word, giving it a much wider scope than was intended by those who originally used it to denote only that revival of classical antiquity in the fifteenth century which was but one of many results of a general stimulus and enlightening of the human mind, and of which the great aim and achievements of what, as Christian art, is often falsely opposed to the Renaissance, were another result. This outbreak of the human spirit may be traced far into the middle age itself, with its qualities already clearly pronounced, the care for physical beauty, the worship of the body,
