municate. It is the unity of this spirit which gives unity to all the various products of the Renaissance, and it is to this intimate alliance with mind, this participation in the best thoughts which that age produced, that the art of Italy in the fifteenth century owes much of its grave dignity and influence.
I have added an essay on Winckelmann, as no incongruous with the studies which precede it, because Winckelmann, coming in the eighteenth century, really belongs in spirit to an earlier age. By his enthusiasm for the things of the intellect and the imagination for their own sake, by his Hellenism, his life-long struggle to attain to the Greek spirit, he is in sympathy with the humanists of an earlier century. He is the last fruit of the Renaissance, and explains in a striking way its motive and tendencies.
