in a gradual development of the religious sense, but as subsisting side by side, and substantially in agreement with each other. And here the first necessity was to misrepresent the language, the conceptions, the sentiments, it was proposed to compare and reconcile. Plato and Homer must be made to speak agreeably to Moses. Set side by side, the mere surfaces could never unite in any harmony of design. Therefore one must go below the surface, and bring up the supposed secondary or still more remote meaning, that diviner signification held in reserve, in recessu divinius aliquid, latent in some stray touch of Homer or figure of speech in the books of Moses.
And yet, as a curiosity of the human mind, a 'madhouse-cell,' if you will, into which we may peep for a moment and see it at work weaving strange fancies, the allegorical interpretation of the fifteenth century has its interest. With its strange web of imagery, its quaint conceits, its unexpected combinations and subtle moralising, it is an element in the local colour of a great age. It illustrates also the faith of that age in all oracles, its desire to hear all voices, its generous belief that nothing which had ever interested the human mind could wholly lose its vitality. It is the counterpart, though certainly the feebler counterpart, of that practical truce and
