might as soon think of asking for a gentleman usher to point out the moon. Yet why should we wonder at such, either, when we have Commentaries on Shakspeare, and Harmonies of the Gospels?
And now you have the little all I have to write. Can it interest you? To one who has enjoyed the full life of any scene, of any hour, what thoughts can be recorded about it, seem like the commas and semicolons in the paragraph, mere stops. Yet I suppose it is not so to the absent. At least, I have read things written about Niagara, music, and the like, that interested me. Once I was moved by Mr. Greenwood's remark, that he could not realize this marvel till, opening his eyes the next morning after he had seen it, his doubt as to the possibility of its being still there, taught him what he had experienced. I remember this now with pleasure, though, or because, it is exactly the opposite to what I myself felt. For all greatness affects different minds, each in “its own particular kind,” and the variations of testimony mark the truth of feeling.
I will add a brief narrative of the experience of another here, as being much better than anything I could write, because more simple and individual.
“Now that I have left this ‘Earth-wonder,’ and the emotions it excited are past, it seems not so much like profanation to analyze my feelings, to recall minutely and accurately the effect of this manifestation of the Eternal. But one should go to such a scene prepared to yield entirely to its influences, to forget one's little self and one's little mind. To see a miserable worm creep to the brink of this falling world of