Page:Table-Talk, vol. 2 (1822).djvu/144

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134
ON CRITICISM.

arguments, they call you names, put words and opinions into your mouth which you have never uttered, and consider it a species of misprision of treason to admit that a Whig author knows any thing of common sense or English. The only chance of putting a stop to this unfair mode of dealing would perhaps be to make a few reprisals by way of example. The Court party boast some writers who have a reputation to lose, and who would not like to have their names dragged through the kennel of dirty abuse and vulgar obloquy. What silenced the masked battery of Blackwood’s Magazine was the implication of the name of Sir Walter Scott in some remarks upon it—(an honour of which it seems that extraordinary person was not ambitious)—to be “pilloried on infamy’s high stage” was a distinction and an amusement to the other gentlemen concerned in that praiseworthy publication. I was complaining not long ago of this prostitution of literary criticism as peculiar to our own times, when I was told that it was just as bad in the time of Pope and Dryden, and indeed worse, inasmuch as we have no Popes or Drydens now on the obnoxious side to be nicknamed, metamorphosed into scarecrows, and impaled alive by bigots and dunces.