Page:Table-Talk, vol. 2 (1822).djvu/343

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ON PATRONAGE AND PUFFING.
333

the solidity of their pretensions. People of fashion and property must have something to show for their patronage, something visible or tangible. A sentiment is a visionary thing; an argument may lead to dangerous consequences, and those who are likely to broach either one or the other, are not, therefore, fit for good company in general. Poets, and men of genius, who find their way there, soon find their way out. They are not of that ilk, with some exceptions. Painters who come in contact with majesty get on by servility or buffoonery, by letting themselves down in some way. Sir Joshua was never a favourite at court. He kept too much at a distance. Beechey gained a vast deal of favour by familiarity, and lost it by taking too great freedoms[1]. West ingra-

  1. Sharp became a great favourite of the king on the following occasion. It was the custom, when the king went through the lobbies of the palace, for those who preceded him to cry out, "Sharp, sharp, look sharp," in order to clear the way. Mr. Sharp, who was waiting in a room just by (preparing some colours), hearing his name repeated so urgently, ran out in great haste, and came up with all his force against the king, who was passing the door at the time. The young artist was knocked down in the encounter, and the attendants were in the greatest consternation; but the king laughed heartily at the adventure, and took great notice of the unfortunate subject of it from that time forward.