way to our feelings before company seems extravagance or affectation; and, on the other hand, to have to unravel this mystery of our being at every turn, and to make others take an equal interest in it (otherwise the end is not answered), is a task to which few are competent. We must “give it an understanding, but no tongue.” My old friend Coleridge— — —, however, could do both. He could go on in the most delightful explanatory way over hill and dale a summer’s day, and convert a landscape into a didactic poem or a Pindaric ode. “He talked far above singing.” If I could so clothe my ideas in sounding and flowing words, I might perhaps wish to have some one with me to admire the swelling theme; or I could be more content, were it possible for me still to hear his echoing voice in the woods of All-Foxden. They had “that fine madness in them which our first poets had”; and if they could have been caught by some rare instrument, would have breathed such strains as the following.
“Here be woods as greenAs any, air likewise as fresh and sweet
As when smooth Zephyrus plays on the fleet
Face of the curled streams, with flow’rs as many
As the young spring gives, and as choice as any;