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ON LIVING TO ONE’S-SELF.
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comic strength of the company at Mirandola—
, drawn up in battle-array in the Clandestine Marriage, with a coup-d’œil of the pit, boxes, and gallery, to cure for ever the love of the ideal, and the desire to shine and make holiday in the eyes of others, instead of retiring within ourselves and keeping our wishes and our thoughts at home!—Even in the common affairs of life, in love, friendship, and marriage, how little security have we when we trust our happiness in the hands of others! Most of the friends I have seen have turned out the bitterest enemies, or cold, uncomfortable acquaintance. Old companions are like meats served up too often, that lose their relish and their wholesomeness. He who looks at beauty to admire, to adore it, who reads of its wondrous power in novels, in poems, or in plays, is not unwise; but let no man fall in love, for from that moment he is “the baby of a girl.” I like very well to repeat such lines as these in the play of—“With what a waving air she goes
Along the corridor! How like a fawn!
Yet statelier. Hark! No sound, however soft,
Nor gentlest echo telleth when she treads,
But every motion of her shape doth seem
Hallowed by silence”—
Along the corridor! How like a fawn!
Yet statelier. Hark! No sound, however soft,
Nor gentlest echo telleth when she treads,
But every motion of her shape doth seem
Hallowed by silence”—
But however beautiful the description, defend me from meeting with the original!