ductions of the pen, or at least to those works which, being artificial or abstract representations of things, are transmitted to posterity, and cried up as models in their kind. This, though unavoidable, is hardly just. Actions pass away and are forgotten, or are only discernible in their effects; conquerors, statesmen, and kings live but by their names stamped on the page of history. Hume says rightly that more people think about Virgil and Homer (and that continually) than ever trouble their heads about Cæsar or Alexander. In fact, poets are a longer-lived race than heroes: they breathe more of the air of immortality. They survive more entire in their thoughts and acts. We have all that Virgil or Homer did, as much as if we had lived at the same time with them: we can hold their works in our hands, or lay them on our pillows, or put them to our lips. Scarcely a trace of what the others did is left upon the earth, so as to be visible to common eyes. The one, the dead authors, are living men, still breathing and moving in their writings. The others, the conquerors of the world, are but the ashes in an urn. The sympathy (so to speak) between thought and thought is more intimate and vital than that between thought and action. Thought is linked to thought as flame kindles into flame:
