words for the rabble, have not the polite and fashionable their hackneyed phrases, their fulsome, unmeaning jargon as well? Both are to me anathema!
To return to the first question, as it regards individual and private manners. There is a fine illustration of the effects of preposterous and affected gentility in the character of Gertrude, in the old comedy of Eastward Hoe, written by Ben Jonson, Marston, and Chapman in conjunction. This play is supposed to have given rise to Hogarth’s series of prints of the Idle and Industrious Apprentice; and there is something exceedingly Hogarthian in the view both of vulgar and of genteel life here displayed. The character of Gertrude, in particular, the heroine of the piece, is inimitably drawn. The mixture of vanity and meanness, the internal worthlessness and external pretence, the rustic ignorance and fine lady-like airs, the intoxication of novelty and infatuation of pride, appear like a dream or romance, rather than anything in real life. Cinderella and her glass slipper are common-place to it. She is not, like Millamant (a century afterwards), the accomplished fine lady, but a pre-
turn next?” said, “No, I hope not; for you know it is impossible to refuse!”
