Page:Table-Talk (1821).djvu/51

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ON THE PLEASURE OF PAINTING.
39

Another is done by one[1] who (on the contrary) was a fine gentleman and lived in great magnificence, and was much honoured by his own and foreign princes; who was a courtier, a statesman, and a painter; and so much all these, that when he acted in either character, that seemed to be his business, and the others his diversion. I say when one thus reflects, besides the pleasure arising from the beauties and excellences of the work, the fine ideas it gives us of natural things, the noble way of thinking it suggest to us, an additional pleasure results from the above considerations. But, oh! the pleasure, when a connoisseur and lover of art has before him a picture or drawing, of which he can say this is the hand, these are the thoughts of him[2] who was one of the politest, best-natured gentlemen that ever was; and beloved and assisted by the greatest wits and the greatest men then in Rome: of him who lived in great fame, honour, and magnificence, and died extremely lamented; and missed a Cardinal's hat only by dying a few months too soon; but was particularly esteemed and favoured by two Popes, the only ones who filled the chair of St. Peter in his time, and as great men as ever sat there

  1. Rubens.
  2. Raffaelle.