Page:Tales of Terror (1899).djvu/267

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THE DANCE OF THE DEAD
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blew a last and cheerful farewell tune, and disappeared. He was never seen again.

Robert was of opinion, the bag-piper was no other than the famous Spirit of the Silesian Mountains.[1] The young painter had originally met him once when he travelled through the hills, and acquired his goodwill by rendering him some service, for the old man was, or pretended to be, in great distress, and Robert gave him wine and food, and housed him for many days. Then suddenly the strange piper disappeared, but shortly returned and promised the youth he would grant him anything he wished if he could, and he declared that with his magic pipes he could subdue anyone to his will. Then it was that Robert beseeched him to help him to win the consent of the Mayor of Neisse to wed his daughter. Willibald promised the youth to assist him in his love-suit, and he kept his word, although after his own jesting fashion.

Robert remained all his lifetime a favourite with the Spirit of the Mountains. He grew rich, and became celebrated. His dear wife brought him every year a handsome child, his pictures were sought after even in Italy and England; and the ‘Dance of the Dead,’ of which Basil, Antwerp, Dresden, Lubeck, and many other places boast, are only copies or imitations of Robert’s original painting, which he had executed in memory of the real ‘Dance of the Dead at Neisse!’ But, alas! this picture is lost, and no collector of paintings has yet been able to discover it, for the gratification of the cognoscenti, and the benefit of the history of the art.

  1. The Spirit of the Silesian Mountains plays a great part in the German Popular Tales. He always appears full of mirth and whims. The people know him best by his nickname Rubezahl, the turnip counter. The accident which gave rise to this nickname has been related in a masterly manner in Musäus’s German Popular Tales.