day is over,the day which has been so hard and toilful even for the children,and with the night comes rest and play. The village, so deserted before, is alive with voices; the elder cluster round the courtyard doors, the little ones whoop through the narrow alleys. But as the short-lived Indian twilight dies into darkness, the voices one by one are hushed, and as the stars comes out the children disappear. But not to sleep: it is too hot, for the sun which has beaten so fiercely all day on the mud walls, and floors, and roofs, has left a legacy of warmth behind it, and not till midnight will the cool breeze spring up, bringing with it refreshment and repose. How then are the long dark hours to passed? In all the village not a lamp or candle is to be found; the only lightand that too used but sparingly and of necessitybeing the dim smoky flame of an oil-fed wick. Yet, in spite of this, the hours, through dark, are not dreary, for this, in an Indian village, is story-telling time; not only from choice, but from obedience to the well-known precept which forbids such idle amusement between sunrise and sunset. Ask little Kaniyâ, yonder, why it is that he, the best story-teller in the village, never opens his lips till after sunset, and he will grin from ear to ear, and with a flash of dark eyes and white teeth, answer the travellers lose their way when idle boys and girls tell tales by daylight.
And Naraini, the herd-girl, will hang her head and cover her
