make an unusual rhetorical effort. 'Looky here, Mr Beamish,' said Mr Fotheringay. 'Let us clearly understand what a miracle is. It's something contrariwise to the course of nature, done by power of will, something what couldn't happen without being specially willed.'
'So you say,' said Mr Beamish, repulsing him. Mr Fotheringay appealed to the cyclist: who had hitherto been a silent auditor, and received his assent—given with a hesitating cough and a glance at Mr Beamish. The landlord would express no opinion, and Mr Fotheringay, returning to Mr Beamish, received the unexpected concession of a qualified assent to his definition of a miracle.
'For instance,' said Mr Fotheringay, greatly encouraged. 'Here would be a miracle. That lamp, in the natural course of nature, couldn't burn like that upsy-down, could it, Beamish?'
'You say it couldn't,' said Beamish.
'And you?' said Fotheringay. 'You don't mean to say—eh?'
'No,' said Beamish reluctantly. 'No, it couldn't.'
'Very well,' said Mr Fotheringay. 'Then here comes some one, as it might be me, along here, and stand it might be here, and says to that lamp, as I might do, collecting all my will—Turn upsy-down without breaking, and go on burning steady, and—Hallo!'
It was enough to make any one say 'Hallo!' The impossible, the incredible, was visible to them all. The lamp hung inverted in the air, burning quietly with its flame pointing down. It was as solid, as indisputable as ever a lamp was, the prosaic common lamp of the Long Dragon bar.
Mr Fotheringay stood with an extended forefinger and the knitted brows of one anticipating a catastrophic smash. The cyclist, who was sitting next the lamp,
