are wrong. I shall go. I shall get to the end of these passes, and as the last swish whistles through the air, Presto!—this hearthrug will be vacant, the room will be blank amazement, and a respectably dressed gentleman of fifteen stone will plump into the world of shades. I'm certain. So will you be. I decline to argue further. Let the thing be tried.'
''No,'' said Wish, and made a step and ceased, and Clayton raised his hands once more to repeat the spirit's passing.
By that time, you know, we were all in a state of tension—largely because of the behaviour of Wish. We sat all of us with our eyes on Clayton—I, at least, with a sort of tight, stiff feeling about me as though from the back of my skull to the middle of my thighs my body had been changed to steel. And there, with a gravity that was imperturbably serene, Clayton bowed and swayed and waved his hands and arms before us. As he drew towards the end one piled up, one tingled in one's teeth. The last gesture, I have said, was to swing the arms out wide open, with the face held up. And when at last he swung out to this closing gesture I ceased even to breathe. It was ridiculous, of course, but you know that ghost-story feeling. It was after dinner, in a queer, old shadowy house. Would he, after all?
There he stood for one stupendous moment, with his arms open and his upturned face, assured and bright, in the glare of the hanging lamp. We hung through that moment as if it were an age, and then came from all of us something that was half a sigh of infinite relief and half a reassuring 'No!' For visibly—he wasn't going. It was all nonsense. He had told an idle story, and carried it almost to conviction, that was all! . . . And then in that moment the face of Clayton changed.
It changed, It changed as a lit house changes when
