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then—as I thought—that our glances met for the first time."
"What kind of a man was he?"
"He was a rather tall and slight young man of twenty-four. His hair, short and curled—after the fashion Bressan, the actor, had brought into vogue—was of a peculiar ashy hue; but this—as I knew afterwards—was due to its being always imperceptibly powdered. Anyhow, the fairness of his hair contrasted with his dark eyebrows and his short moustache. His complexion was of that warm, healthy paleness which, I believe, artists often have in their youth. His eyes—though generally taken for black—were of a deep blue colour; and although they ever appeared so quiet and serene, still a close observer would every now and then have seen in them a scared and wistful look, as if he were gazing at some dreadful dim and distant vision. An expression of the deepest sorrow invariably succeeded this painful glamour."
"And what was the reason of his sadness?"
"At first, whenever I asked him, he always shrugged his shoulders, and answered laughingly,