BEGGARS ON HORSEBACK
But Anne prayed no such prayers. She wanted to be like other people. She wanted to eat and drink with the multitude, she wanted a warm, warm heart, a groaning board. She wanted snugness and coziness and comfort. And she grew up loving these things, and hating the pale walls of their old house in Georgetown, the family portraits, the made-over dinner gowns that her sisters wore, her own made-over party frocks.
"Can't I have a new one, Amy?"
"It's Ethel's turn."
So it was when Anne went to a certain diplomatic reception in a made-over satin slip, hidden by a cloud of snowy tulle, that Murray Flint first waked to the fact of her loveliness.
He had waked ten years earlier to the loveliness of Amy, and five years later to the beauty of Ethel.
And now here was Anne!
"She's different though," he told old Molly Winchell; "more spiritual than the others."
It was Anne's thinness which deceived him. It was an attractive thinness. She was pale, with red lips, and the fat fair braids had given way to a shining knot. She wore the family pearls, and the effect was, as Murray had said, spiritual. Anne had the look, indeed, of one who sees heavenly visions.
Amy had never had that look. She was dark
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