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KNICKERBOCKER GALLERY.

shadow of God himself. "There was a day when the sons of God came to present themselves before the Lord, and Satan came also." He had been walking to and fro upon the earth, and having scoffed at Job's integrity, the Lord said unto Satan, "Behold, he is in thy hand." This relation of Job has been made the scape-goat for the bold blasphemy of Byron, the insane licentiousness of Bailey, and the scoffing jeers of Goethe.

The unwritten literature of the earliest ages and rudest nations has contained traditions as to the evil spirit. He takes various forms and characteristics, according to the physical environment or condition of the people. In the Indian mythology, the dominion of the Universe was divided, and even the powers of darkness had their castes. The Indian Trinity consisted of Brahma, the Creator; Vishnu, the Preserver; and Sheva, the Destroyer. Sheva was represented as a black figure, with a terrible countenance. He is the only devil whom literature has united in the holy bands of matrimony. If he is such a monster devil, what must his wife be? Her name was Goorga. She was quite as black as her amiable husband, with forehead and eyebrows dripping blood. The feminine taste is displayed by a necklace of skulls, and ear-rings of human bodies. At her zone hang the hands of the giants whom she had slain. Quite an eligible match for Sheva, and not unsuitable for any devil!

The tropical sun of Africa daguerreotyped him in blackest shades as a divine devil, whose worship even yet holds the swart Ethiop in thrall. In Scandinavia the grim spectres of the misty North were servitors of the Great Evil One, whom to propitiate was accounted wise devotion. The power of evil was very naturally feared by the savage, and his religious instincts led him to give hostages and pay homage to an enemy more formidable than the lion of the jungle and more insidious than the serpent of the fens.

This profane idea of the devil is not unlike that of the more refined nations of antiquity, of which it is the prototype.

The Greek classics might as well be without their heroes as their Hades, Homer led Ulysses into the realms of Pluto. Thither Euripides, in the Alcestis, and Hercules Furens, represents his heroes as descending. Sophocles has shown the son of Jupiter and Alce-