the satire aimed at Ben Jonson, if not especially relevant to the main action, is at all events less incongruous and preposterous in its relation to the rest of the work than the satirical or controversial part of Dekker's 'Satiromastix.' But on the whole, if this play be Marston's, it seems to me the rudest and the poorest he has left us, except perhaps the comedy of 'What you Will,' in which several excellent and suggestive situations are made less of than they should have been, and a good deal of promising comic invention is wasted for want of a little more care and a little more conscience in cultivation of material and composition of parts. The satirical references to Jonson are more pointed and effective in this comedy than in either of the two plays last mentioned; but its best claim to remembrance is to be sought in the admirable soliloquy which relates the seven years' experience of the student and his spaniel. Marston is too often heaviest when he would and should be lightest—owing apparently to a certain infusion of contempt for light comedy as something rather beneath him, not wholly worthy of his austere and ambitious capacity. The parliament of pages in this play is a diverting interlude of farce, though a mere irrelevance and impediment to the action; but the boys are less amusing than their compeers in the anonymous
