the greatest of the popes, 'I have loved justice, and hated iniquity: therefore I die in exile'; therefore, in other words, I am cast aside and left behind by readers who are too lazy, too soft and slow of spirit, too sleepily sensual and self-sufficient, to endure the fiery and purgatorial atmosphere of my work. But there are breaths from heaven as surely as there are blasts from hell in the tumultuous and electric air of it. The cynicism and egotism which the editor already mentioned has the confidence to attribute to him are rather the outer garments than the inner qualities of his genius: the few and simple lines in which his purer and nobler characters are rapidly but not roughly drawn suffice to give them all due relief and all requisite attraction. The virtuous victims of the murderous conspirator whose crimes and punishment are the groundwork of 'The Atheist's Tragedy' have life and spirit enough to make them heartily interesting: and the mixed character of Sebastian, the high-hearted and gallant young libertine whose fearless frankness of generosity brushes aside and breaks away the best-laid schemes of his father, is as vividly and gracefully drawn as any of the same kind on the comic or the tragic stage.
In this earlier of the two plays extant which preserve the name of Cyril Tourneur the magni-
