not only has such justice not generally been done, but grave injustice has been too generally shown. It is true that not all the agents in the evolution of his greater tragedy are equally or sufficiently realised and vivified as active and distinct figures: true, for instance, that the two elder sons of the duchess are little more than conventional outlines of such empty violence and futile ambition as might be inferred from the crude and puerile symbolism of their respective designations: but the third brother is a type no less living than revolting and no less dramatic than detestable: his ruffian cynicism and defiant brutality are in life and death alike original and consistent, whether they express themselves in curses or in jeers. The brother and accomplice of the hero in the accomplishment of his manifold revenge is seldom much more than a serviceable shadow: but there is a definite difference between their sister and the common type of virginal heroine who figures on the stage of almost every dramatist then writing; the author's profound and noble reverence for goodness gives at once precision and distinction to the outline and a glow of active life to the colour of this pure and straightforward study. The brilliant simplicity of tone which distinguishes the treatment of this character is less remarkable in the figure of the mother whose wickedness and weak-
