the general and mutual condonation of unnatural perjury and attempted murder with which the victims and the criminals agree to hush up all grudges, shake hands all round, and live happy ever after. There is at least one point of somewhat repulsive resemblance between the story of this play and that of Fletcher's 'Fair Maid of the Inn': but Fletcher's play, with none of the tragic touches or interludes of superb and sombre poetry which relieve the incoherence of Webster's, is better laid out and constructed, more amusing if not more interesting, and more intelligent if not more imaginative.
A far more creditable and workman-like piece of work, though glorified by no flashes of such sudden and singular beauty, is the tragedy of 'Appius and Virginia.' The almost infinite superiority of Webster to Fletcher as a poet of pure tragedy and a painter of masculine character is in this play as obvious as the inferiority in construction and conduct of romantic story displayed in his attempt at a tragicomedy. From the evidence of style I should judge this play to have been written at an earlier date than 'The Devil's Law-case': it is, I repeat, far better composed; better, perhaps, than any other play of the author's: but it has none of his more distinctive qualities; intensity of idea, concentration of utterance, pun-
