should he attack it at all, in his own way. Not the least of this lady's high merits for him was that he could absolutely rest on her word. She was the only woman he had known, even at Woollett, as to whom his conviction was positive that to lie was beyond her art. Sarah Pocock, for instance, her own daughter, though with social ideals, as they said, in some respects different—Sarah who was, in her way, æsthetic, had never refused to human commerce that mitigation of rigour; there were occasions when he had distinctly seen her apply it. Since, accordingly, at all events, he had had it from Mrs. Newsome that she had, at whatever cost to her more strenuous view, conformed, in the matter of preparing Chad, wholly to his restrictions, he now looked up at the fine continuous balcony with a safe sense that if the case had been bungled the mistake was at least his property. Was there perhaps just a suspicion of that in his present pause on the edge of the Boulevard and well in the pleasant light?
Many things came over him here, and one of them was that he should doubtless presently know whether he had been shallow or sharp. Another was that the balcony in question didn't somehow show as a convenience easy to surrender. Poor Strether had at this very moment to recognise the truth that, wherever one paused in Paris, the imagination, before one could stop it, reacted. This perpetual reaction put a price, if one would, on pauses; but it piled up consequences till there was scarce room to pick one's steps among them. What call had he, at such a juncture, for instance, to like Chad's very house? High, broad, clear—he was expert enough to make out in a moment that it was admirably built—it fairly embarrassed our friend by the quality that, as he would have said, it "sprang" on him. He had struck off the fancy that it might, as a preliminary, be of service to him to be seen, by a happy accident, from the third-story windows, which took all the March sun; but of what service was it to find himself making out after a moment that the quality "sprung," the quality produced by measure and balance, the fine relation of part to part and space to space, was probably—aided by the presence of ornament as positive as it was discreet, and by the complexion of the stone,
