straight edge. Put on lettering piece. When dry, paste and paste-wash the back. When again dry, take some of Young's patent size, melt it in a pipkin with a little water and apply it with a sponge. Lay this on very evenly with a very soft sponge, and be particular that it is perfectly clean, so that no stains be left. When the size is done with, put it on one side for future use. This size should not be taken its full strength, and when warmed again some more water should be added to make up for evaporation. When the coat of size has dried, apply two coats of glaire. The first must be dry before the second is applied, and great care must be taken that the sponge is not passed over the same place twice, or the previous preparation will be taken off. It is now ready for finishing. Cut the gold to proper size; rub a little lard over the whole of the back with a little cotton wool. This requires great attention. Very little must be put on light or green calf, as these colours are stained very readily. Take the gold up on a cotton pad; lay it carefully down on the back; breathe on the gold, and press down again. If there be any places where the gold is broken, they must be mended. Now take a two-line fillet; heat it so that it hisses when placed in the cooling pan or the saucer with the wet rag in it, and run it the whole length of the back on the line made before paste-washing. Do this on both sides, and rub the gold off with the gold-rag up to the line on the outside. Take a two-line pallet, and work it on each side of the bands. Work the morocco lettering piece last, as it requires less heat. The centre piece of each panel must now be worked. Impress the tools firmly but quickly. The corner tools next; work them from the centre or sides, using the right hand corners as a guide, and judging the distance by the left ones. The press must be turned when it is required to bring the left side to the right hand in working the corners. The requisite pallets may now be worked to finish the book
