which the timidity however had been so much more striking than the boldness that her reasons appeared to come first and her feelings afterward.
As the day went on I grew to wish that I had never heard of Aspern's relics, and I cursed the extravagant curiosity that had put John Cumnor on the scent of them. We had more than enough material without them and my predicament was the just punishment of that most fatal of human follies, our not having known when to stop. It was very well to say it was no predicament, that the way out was simple, that I had only to leave Venice by the first train in the morning, after writing a note to Miss Tita, to be placed in her hand as soon as I got clear of the house; for it was a strong sign that I was embarrassed that when I tried to make up the note in my mind in advance (I would put it on paper as soon as I got home, before going to bed), I could not think of anything but 'How can I thank you for the rare confidence you have placed in me?' That would never do; it sounded exactly as if an acceptance were to follow. Of course I might go away without writing a word, but that would be brutal and my idea was still to exclude brutal solutions. As my confusion cooled I was lost in wonder at the importance I had attached to Miss Bordereau's crumpled scraps; the thought of them became odious to me and I was as vexed with the old witch for the superstition that had prevented her from destroying them as I was with myself for having already spent more money than I could afford in attempting to control their fate. I forget what I did, where I went after leaving the Lido and at what hour or with what recovery of composure I made my