By the time they reached the Liténie, she had fully recovered her consciousness and a portion of her strength. She drew away from him as much as the narrow sled would allow.
"You have been very kind, Sir, and I thank you," she said; "but I am now able to go home without your further assistance."
"By no means, Lady!" said the Prince. "The streets are rough, and here are no lamps. If a second accident were to happen, you would be helpless. Will you not allow me to protect you?"
She looked him in the face. In the dusky light she saw not the peevish, weary features of the worldling, but only the imploring softness of his eyes, the full and perfect honesty of his present emotion. She made no further objection: perhaps she was glad that she could trust the elegant stranger.
Boris, never before at a loss for words, even in the presence of the Empress, was astonished to find how awkward were his attempts at conversation. She was presently the more self-possessed of the two, and nothing was ever so sweet to his ears as the few commonplace remarks she uttered. In spite of the darkness and the chilly air, the sled seemed to fly like lightning. Before he supposed they had made half the way, she gave a sign to the istoostchik, and they drew up before a plain house of squared logs.
The two lower windows were lighted, and the dark figure of an old man, with a skull-cap upon his head, was framed in one of them. It vanished as the sled stopped; the door was thrown open and the man came forth hurriedly, followed by a Russian nurse with a lantern.
"Helena, my child, art thou come at last? What has befallen thee?"
He would evidently have said more, but the sight of Prince Boris caused him to pause, while a quick shade of suspicion and alarm passed over his face. The Prince stepped forward, instantly relieved of his unaccustomed timidity, and rapidly described the accident. The old nurse, Katinka, had meanwhile assisted the lovely Helena into the house.
The old man turned to follow, shivering in the night-air. Suddenly recollecting himself, he begged the Prince to enter and take some refreshments, but with the air and tone of a man who hopes that his invitation will not be accepted. If such was really his hope, he was disappointed; for Boris instantly commanded the istoostchik to wait for him, and entered into the humble dwelling.
The apartment into which he was ushered was spacious, and plainly, yet not shabbily furnished. A violoncello and clavichord, with several portfolios of music and scattered sheets of ruled paper, proclaimed the profession or the taste of the occupant. Having excused himself a moment, to look after his daughter's condition, the old man, on his return, found Boris turning over the leaves of a musical work.
"You see my profession," he said: "I teach music."
"Do you not compose?" asked the Prince.
"That was once my ambition. I was a pupil of Sebastian Bach. But—circumstances—necessity—brought me here. Other lives changed the direction of mine. It was right."
"You mean your daughter's?" the Prince gently suggested.
"Hers and her mother's. Our story was well known in St. Petersburg twenty years ago, but I suppose no one recollects it now. My wife was the daughter of a Baron von Plauen, and loved music and myself better than her home and a titled bridegroom. She escaped, we united our lives, suffered and were happy together,—and she died. That is all."
Further conversation was interrupted by the entrance of Helena, with steaming glasses of tea. She was even lovelier than before. Her close-fitting dress revealed the symmetry of her form, and the quiet, unstudied grace of her movements. Although her garments were of well-worn material, the lace which covered her bosom was genuine point d'Alençon, of an old and rare pattern.
